Walter Benjamin and the Aesthetics of Film

by Daniel Mourenza (2020)

[Based on author's PhD thesis, University of Leeds, 2014: " Walter Benjamin, film and the ‘anthropological-materialist’ project".]

- Benjamin, Walter [Bendix Schoenflies] (1892-1940) -- Criticism and interpretation.
- Motion pictures -- Aesthetics.

Walter Benjamin is today regarded as one of the leading thinkers of the twentieth century. Often captured in pensive pose, his image is now that of a serious intellectual. But Benjamin was also a fan of the comedies of Adolphe Menjou, Mickey Mouse, and Charlie Chaplin. As an antidote to repressive civilization, he developed, through these figures, a theory of laughter. Walter Benjamin and the Aesthetics of Film is the first monograph to thoroughly analyse Benjamin’s film writings, contextualizing them within his oeuvre whilst also paying attention to the various films, actors, and directors that sparked his interest. The book situates all these writings within Benjamin’s ‘anthropological materialism’, a concept that analyses the transformations of the human sensorium through technology. Through the term ‘innervation’, Benjamin thought of film spectatorship as an empowering reception that, through a rush of energy, would form a collective body within the audience, interpenetrating a liberated technology into the distracted spectators. Benjamin’s writings on Soviet film and German cinema, Charlie Chaplin, and Mickey Mouse are analysed in relation to this posthuman constellation that Benjamin had started to dream of in the early twenties, long before he began to theorize about films.

Introduction  11
1. Anthropological Materialism and the Aesthetics of Film  27
2. Soviet Film: The Giant Laboratory of Technological Innervation  87
3. Film and the Aesthetics of German Fascism  117
4. Charlie Chaplin: The Return of the Allegorical Mode in Modernity  153
5. Mickey Mouse: Utopian and Barbarian  195
Conclusion: Benjamin’s Belated /Aktualität/  235
Bibliography  243
Index  253.

[ToC + Introduction (pdf):]

Daniel Mourenza is an Assistant Professor at the School of Languages, Literatures and Cultural Studies at Trinity College Dublin.


Mourenza, Daniel
Walter Benjamin and the Aesthetics of Film.
Amsterdam: Amsterdam University Press, 2020, 258 p., ill., 23 cm.
ISBN 9789462980174 (hb., EUR 99,00)
ISBN 9789048529353 (pb., EUR 99,00)
[Bibl. refs.]