[Open access:] https://necsus-ejms.org/portfolio/spring-2020_intelligence/

ToC:

*FEATURES

Editorial NECSUS

From ‘video essay’ to ‘video monograph’?: Indy Vinyl as academic book
   / Ian Garwood

New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0
   / Kata Szita

Film studies, feminism, and film curating in Germany: An interview with Heide Schlüpmann and Karola Gramann
   / Chris Tedjasukmana & Julia Leyda

The play of iconicity in Lars von Trier’s The House That Jack Built
   / Bodil Marie Stavning Thomsen

*SPECIAL SECTION: #Intelligence
    / edited by Patricia Pisters and Ruggero Eugeni

The artificial intelligence of a machine: Moving images in the age of algorithms
   / Patricia Pisters and Ruggero Eugeni

The Golem in the age of artificial intelligence
   / Amir Vudka

Tales from the cyborg society: The construction of subject and power in contemporary artificial intelligence(s) narratives
   / Patricia Trapero-Llobera

Playing intelligence: On representations and uses of artificial intelligence in videogames
   / Martin Henning

Augmented consciousness: Artificial gazes fifty years after Gene Youngblood’s Expanded Cinema
   / Federico Biggio

Ghost in the (Hollywood) machine: Emergent applications of artificial intelligence in the film industry
   / Pei-Sze Chow

Clipping us together: The case of the Google Clips camera
   / Oshri Bar-Gil

Critical re-modelling of algorithm-driven intelligence as commonist media practice
   / Shintaro Miyazaki

*AUDIOVISUAL ESSAYS
   / edited by Richard Misek

A Machine for Viewing
   / Richard Misek

A Machine for Viewing – 1 – A Frame of the Mind
   / Charlie Shackleton

A Machine for Viewing – 2 – A Pillow of Light
   / Richard Misek

A Machine for Viewing – 3 – Manual for a Disassembly of Cinema
   / Oscar Raby

*BOOK REVIEWS
   / edited by Lavinia Brydon and Victoria Pastor-González

Futurist Cinema / Cubism and Futurism
   / Malgorzata Bugaj

(Ad)Dressing film history: Film and Fashion amidst the Ruins of Berlin / Film, Fashion and the 1960s
   / Bianka-Isabell Scharmann

Megaphone, Molotov, Moviola: 1968 and Global Cinema / Celluloid Revolt
   / Nace Zavrl

*FESTIVAL REVIEWS
   / edited by Marijke de Valck and Antoine Damiens

Nothing short of a revolution: A conversation with Frank Saptel of the Canadian Labour International Film Festival
   / Juan Velásquez-Buriticá

VR on the film festival circuit: IDFA & IFFR 2017-2019
   / Niv Fux

Queer City Cinema’s ‘Qaleidoscope’: Festival movements, curation experiments, and queer experimentality
   / Zeynep Kartal

*EXHIBITION REVIEWS
   / edited by Miriam de Rosa and Leo Goldsmith

Cinema and a ‘time-varying universe’: An interview with curator Antonio Somaini
   / Occitane Lacurie and Bernabé Sauvage

Making the Xapiri dance: Photography and shamanism in the exhibition Claudia Andujar, The Yanomami Struggle
   / Raquel Schefer