Resources

Film-Philosophy 23.2

Film-Philosophy and Stardom

by Lucy Bolton (ed.) (2019)

ToC:

Introduction: Film-Philosophy and Stardom
   / Lucy Bolton

And That I See a Darkness: The Stardom of Kirsten Dunst in Collaboration with Sofia Coppola in Three Images
   / Anna Backman Rogers

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Journal of Italian Cinema & Media Studies 7.2

Italian Cinema/Crossing Boundaries: From Adaptation to Transmedia, Transartistic and Transnational Cinema. In Honour of Professor Millicent Marcus

by Giovanna Faleschini Lerner, Nicoletta Marini-Maio, & Elena Past (guest-eds.) (2019)

ToC:

Lerner, Giovanna Faleschini / Marini-Maio, Nicoletta / Past, Elena:
Millicent Marcus and the ethics of adaptation.
In: Journal of Italian Cinema & Media Studies 7,2 (Mar 2019), pp. 179-189.

INTERVIEW

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Ut Pictura Video

Etats d’âme et paysages intérieurs: du sublime kantien au film de transe

by Prisca Meslier (2019)

Alors que le beau est un concept esthétique qui implique une limite, le sublime est une notion qui se situe au delà de la représentation ou de l’esthétique.

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Canadian Science Fiction. Fantasy. and Horror: Bridging the Solitudes

Indigenous Futurist Film: Speculation and Resistance in Jeff Barnaby’s /Rhymes for Young Ghouls/ and /File Under Miscellaneous/

by Kristina Baudemann (2019)

- RHYMES FOR YOUNG GHOULS (CA 2013, Jeff Barnaby, 1976-).
- FILE UNDER MISCELLANEOUS (short, CA 2010, Jeff Barnaby, 1976-).

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Eloge de l'attraction: Capter, capturer, captiver

by Patrick Yves Brun (2019)

L'attraction n'est-elle que le côté divertissant du cinéma ? Comment, dès lors, justifier sa présence manifeste dans les oeuvres des très grands cinéastes ?

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International Communication Gazette

Soft power, culture and modernity: Responses to Bollywood films in Thailand and the Philippines

by Adrian Athique (2019)

Abstract:

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